bookworm
580,011 plays

littletalksandlionhearts:

I mixed the last page of the epilogue (read by the amazing Stephen Fry) with Leaving Hogwarts, changed the levels and unfortunately to make it fit, cut some bits out. But yes. This is what it sounds like.

makeoutinheaven:

dunebat:

coldswarkids:

edwardspoonhands:

thelegendofkungjew:

doxian:

d-dinosaur:

rknjl:

newvagabond:

NO “TELEPHONES”. TALK TO EACH OTHER. FACE TO FACE ONLY. WRITE A LETTER. SEND A TELEGRAM TO YOUR MOM. PRETEND IT’S 1860. LIVE.

NO ‘WRITING’… TALK TO EACH OTHER. THROW A ROCK AT YOUR MOM. PRETEND IT’S 10,000 BCE.  LIVE.

URGGA. ROU GRAAURH. RUH.
<SMACKS HANDS ON WALL WITH PAINT.>

NO ‘HIGHER BRAIN FUNCTIONS’ …USE YOUR REPTILIAN BRAIN
EAT YOUR MOM’S CORPSE SHE DIED TO PROVIDE YOU WITH SUSTENANCE
PRETEND YOU HAVE JUST AROSE FROM THE SEA
SURVIVE

NO “MULTICELLULAR TRAITS”….. USE YOUR SYMBIOTIC MITOCHONDRIA
REPRODUCE ASEXUALLY, YOU’RE YOUR OWN PARENT
PRETEND IT’S 2BYA
EVOLVE

NO “LIFE.” USE FUNDAMENTAL PHYSICAL FORCES TO FORM SPHERICAL OBJECTS REVOLVING AROUND ONE ANOTHER IN SPACE. 
FUSE HYDROGEN INTO HELIUM USING GRAVITATIONAL PRESSURE TO PRODUCE HEAT AND LIGHT. 
PRETEND IT’S 4.5BYA.
STABILIZE INTO EQUILIBRIA

NO “MATTER”.  EXIST IN THE VOID WITHOUT PURPOSE OR MEANING.
THERE IS NO “YOU”, ONLY THE VAST CONCEPT OF NOTHING.
TIME DOES NOT EXIST.
BE.

Wow.

I feel like something really important just happened

makeoutinheaven:

dunebat:

coldswarkids:

edwardspoonhands:

thelegendofkungjew:

doxian:

d-dinosaur:

rknjl:

newvagabond:

NO “TELEPHONES”. TALK TO EACH OTHER. FACE TO FACE ONLY. WRITE A LETTER. SEND A TELEGRAM TO YOUR MOM. PRETEND IT’S 1860. LIVE.

NO ‘WRITING’… TALK TO EACH OTHER. THROW A ROCK AT YOUR MOM. PRETEND IT’S 10,000 BCE.  LIVE.

URGGA. ROU GRAAURH. RUH.

<SMACKS HANDS ON WALL WITH PAINT.>

NO ‘HIGHER BRAIN FUNCTIONS’ …USE YOUR REPTILIAN BRAIN

EAT YOUR MOM’S CORPSE SHE DIED TO PROVIDE YOU WITH SUSTENANCE

PRETEND YOU HAVE JUST AROSE FROM THE SEA

SURVIVE

NO “MULTICELLULAR TRAITS”….. USE YOUR SYMBIOTIC MITOCHONDRIA

REPRODUCE ASEXUALLY, YOU’RE YOUR OWN PARENT

PRETEND IT’S 2BYA

EVOLVE

NO “LIFE.” USE FUNDAMENTAL PHYSICAL FORCES TO FORM SPHERICAL OBJECTS REVOLVING AROUND ONE ANOTHER IN SPACE. 

FUSE HYDROGEN INTO HELIUM USING GRAVITATIONAL PRESSURE TO PRODUCE HEAT AND LIGHT. 

PRETEND IT’S 4.5BYA.

STABILIZE INTO EQUILIBRIA

NO “MATTER”.  EXIST IN THE VOID WITHOUT PURPOSE OR MEANING.

THERE IS NO “YOU”, ONLY THE VAST CONCEPT OF NOTHING.

TIME DOES NOT EXIST.

BE.

Wow.

I feel like something really important just happened

jardestiel:

when you’re so in love with a character you literally squeal and curl into a ball when they make an appearance.

sophiaegennusa:

Hi Sean! :)

sophiaegennusa:

Hi Sean! :)

Deanna Troi in “Face of the Enemy
Episode 14, s06

acciobenedictcumberbatch:

lupinatic:

here-is-the-place:

When people say these books are children’s books, as if to demean them, I balk. These books dealt with themes that adults do not fully understand or wish to. It dealt with racism, classism, sexism, homophobia, prejudice, and general ignorance. These books taught us that it doesn’t matter how you were raised, but that you get to choose to be kind, loyal, brave, and true. They taught us to be strong under the pressures of this world and to hold fast to what we know to be right. These books taught me so much, they changed me as a person. So just because they’re set against a fantastical backdrop with young protagonists does not mean that their value is any less real.

This.

First book: Starts with the double murder of a pair of twenty-one year olds who were much missed and leaving their baby son a war orphan. A child growing up in abusive conditions that would give Cinderella the horrors. Dealing with peers and teachers who are bullies. The fickleness of fame (from the darling of Gryffindor to the outcast.) The idea that there are things worth fighting and dying for, spoken by the child protagonist. Three children promptly acting on that willingness to sacrifice their lives, and two of them getting injured doing so.

Second book: The equivalent of racism with the pro-pureblood attitude. Plot driven by an eleven year old girl being groomed and then used by a charming, handsome older male. The imbalance of power and resultant abuse inherent in slavery. Fraud perpetuated by stealing something very intimate.

Third book: The equivalent of ableism with a decent, kind and competant adult being considered less than human because he has an illness that adversely affects his behaviour at certain times. A justice system that is the opposite of just. Promises of removing an abused child from the abusive environment can’t always be kept. The innocent suffer while the guilty thrive.

Fouth book: More fickleness of fame. The privileged mistreating and undermining the underprivileged because they can. A master punishing a slave for his own misjudgment, and the slave blaming herself. A sports tournament which involves mortal risk being cheered by spectators. A wonderful young man being murdered simply because he was in the way. A young boy being tortured, humilated and nearly murdered.

Fifth book: PTSD in the teenage protagonist. Severe depression in the protagonist’s godfather, triggered by inherited mental health issues and being forced to stay in a house where abuse occured. A bigoted tyrant who lives to crush everyone under her heel, torturing a teenager for telling the truth in the name of the government (and trying to suck his soul out too). The discovery that your idols can have feet of clay after all. An effort to save the life of someone dear and precious actually costing that very same life. The loss of a father-figure and the resultant guilt.

Sixth book: The idea that a soul can be broken beyond repair. Drugs with the potential for date rape are shown as having achieved exactly that in at least one case, resulting in a pregnancy. Well-meaning chauvinism trying to control the love life of a young woman. Internalised prejuidce resulting in refusing the one you love, not out of lack of love but out of fear of tainting them. The mortality of those that seem powerful and larger than life.

Seventh book: Bad situations can get worse, to the point where even the privileged end up suffering and afraid. More internalised prejudice and fear hysterical terror of tainting those you love. Self-sacrifice and the loss of loved ones, EVERYWHERE. Those who are bitter are often so with a reason. The necessity of defeating your inner demons, even though it’s never as cool as it sounds. Don’t underestimate those that are enslaved. Other people’s culture isn’t always like your own. Things often come full circle (war ending with the death of a dearly-loved pair of new parents and their orphaned baby son living with his dead mother’s blood relative instead of his young godfather). Even if ‘all is well’ the world is still imperfect, because it’s full of us brilliant imperfect humans.

 
So… still think that Harry Potter is a kid’s series with no depth?

image

paxton-broadway:

Fina Strazza takes her first bow as Matilda!

Happy Trails Ripley

simplypotterheads:

He’s as good as!

"School Song" from Matilda the Musical

fengshit:

This is my favorite thing ever

And warred with yourself

It’s time that you won

blackgirlwhiteboylove:


Forever reblog.

blackgirlwhiteboylove:

Forever reblog.

howaboutdisney:

YOU DESERVE AN AWARD AND DO U SEE KHAN WATCH HER AS SHE TURNS INTO A WARRIOR IM SCREAMING

howaboutdisney:

YOU DESERVE AN AWARD AND DO U SEE KHAN WATCH HER AS SHE TURNS INTO A WARRIOR IM SCREAMING

haildisney:

wherethe-magichappens:

christopher-whitelaw:

theswancaptain:

HE WAS GOING TO DIE AND HE USED HIS REMAINING STRENGTH TO FREE HER… THIS IS HOW YOU OTP

YOUR OTP COULD NEVER

I often see things online about how Eugene should have waited to be saved, then cut her hair, or that he shouldn’t have cut as much, etc. but I feel like those people are missing the entire point. 

Ok first of all, Eugene had waited for Rapunzel to heal him, who knows what would have happened, because Mother Gothel could have come and taken her away immediately. He instead makes the selfless decision with the little bit of strength that he has, to risk his own life in order to save Rapunzel. But more importantly: Eugene was selfish his entire life - mainly because nobody was ever looking out for him. He grew up poor and in an orphanage, so he had to be selfish in order to survive, which is why he turned to thieving. This moment is the moment where everything changes. It is the one time in his life that he puts someone else first. 

Second: The symbolism behind the fact that he cuts her hair should tell you everything. All of Rapunzel’s life the only person who she ever knew to love her, didn’t actually love her, but she loved her hair. Gothel was always shown looking, talking to and kissing Rapunzel’s hair, and not really ever Rapunzel herself. Eugene, on the other hand, fell in love with Rapunzel the PERSON. He saw her as another human being, and he saw her heart. That is why he cut her hair - her hair didn’t matter to him because the magic was INSIDE her. He knew that and thus knew that even as he died, she would live a happy life because of how beautiful she is on the inside. 

Also if you notice, several times throughout the film he pulls Rapunzel’s hair out of her face, he doesn’t care about the hair, he cares about her! Man, I honestly think Tangled has one of the best Disney love stories! In my opinion it’s up there with Beauty and the Beast, and Pocahontas.